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  • 比较文学:东方与西方(13)(英文版)[平装]
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  • 作者:曹顺庆(编者)
  • 出版社:四川大学出版社;第1版(2010年12月1日)
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  • ISBN:9787561451168

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    《比较文学:东方与西方(13)(英文版)》是由四川大学出版社出版的。

    目录

    FEATURE ARTICLES
    CAO Shunqing
    Variation 7heory:A Breakthrough in Research of World Comparative
    Literature T heory
    CHRIsZIE Stuart
    “The Sounds an Atomic Bomb Makes:John HerseyS Hiroshima and the Birth of'Asian'Modernity”
    WUFusheng
    The Concept ofDecadence in Fin de Si6cle English Literature
    20 CENTURY BRITISH wOMEN wRITERS
    LIU Fan
    Invited editor'S note
    A Special Forum on“20*Century British Women Writers” MA Jianjun
    Virginia woolf'S Aesthetics of Feminism and Androgyny:A Re-reading
    ofA Room ofOne's Own
    FU Jingfing
    A Kristevan Reading of Carol Ann Duffy,'S“The Grammar ofLight”
    CAIXiaoyan
    Reading the Maternal in The Fifth Child by Doris Lessing
    WANGQiong
    Urban Geography forYard Gals
    INFFULUENCE STUDIES&CANON FORMATION
    LI Weifang
    The Influence of Johnson on Liang Shiqiu,S Human Nature Theory
    of Shakespeare Criticism
    JI Zheng
    The Construction and Revision of American Literary Canon——A Study of The Norton Anthology of American Literature 1979——2003
    ECO-CRITICISM
    SLOVIC Scott and YANG Ying yu
    Future of Ecocriticism: Strategic-openness and Sustainability——An Interview with Scott Slovic
    ZHANG Bailing
    Article Complex and its Ecology: Reconstructing Writers' Identity in Consumer Age
    GENDER, CULTURE & LITERATURE
    ZHAN Junfeng
    Studies of Male Identity in the West a Theoretical Overview
    LIU Yi
    Gothic Architecture and Gothic Fiction: An Intertextual Approach
    NARRATOLOGY
    ZHANG Xinjun
    Framing Possible-worlds Narratology
    HU Lidan
    The Narrator in Look Homeward, Angel
    BOOK REVIEW
    HUANG WeUiang
    Chinese and American Scholars on the "Path of Comparative Literature——Preface to 1979-2009: Retrospect of the Development of Comparative
    Literature Studies of China
    NOTICE TO CONTRIBUTORS

    文摘

    版权页:



    Pity and fear are regarded as inherent in the structure of tragedy, and thisstructural requirement overwhelms other considerations. To punish evil and toreward virtue no doubt will satisfy our moral sense, but Aristotle considers this tobe a defect in tragedy because tragedy to him is not the fulfillment of a moralpurpose as it is in Plato's system; rather it is a verbal construct with its own rules.The significance of this passage is that Aristotle is consciously separating moralityfrom literature by claiming that they have very different, even incompatible, needs.It is this separation that prompts Aristotle to indicate that literature has nothing todo with reality, as morality has, and that literature imitates what is to come, notwhat it is. He makes it clear that common sense or moral standards should not beapplied to judge literary works, for The element of the irrational, and similarly,depravity of character, are justly censured when there is no inner necessity forintroducing them.